stories of radical feminism
past, present, future

A Caseworker’s Diary of Hope and Delusion
I recently witnessed the birth of my niece. Her first look made me believe that there is a piece of that child in me who

Traditions of the Tongue, Translating a Lepcha Folk Song ‘Mutanchi Lungten’
My sister’s favourite Lepcha song is not any of the current, modern songs ruling the local charts. Hers is a folk song known as ‘Muntanchi

The Presence of your Absence: Grieving as Translation
There is a story—part musicology, part myth—that Johann Sebastian Bach wrote the Chaconne, the monumental final movement of his Partita No. 2 in D minor

My Mother’s Everyday Acts of Resistance and Radical Friendships
Pramila Shetty, a.k.a. Pamu, my mother, started cooking at an early age as a daily chore assigned by my Amma, her mother. She began cooking

The Taste of a Word You Cannot Say
Whether for the love of the story, or because of a colonial hangover we have yet to calm, children often grow up on fairytales that

The Crow at the Beach
“All Activists on the Freedom Flotilla have been Abducted by Israel” There is a crow at the beach. A murder on the shore. The cry

The Dictionary of My Father’s Violence
I never learned to grieve for my father. That language was perpetually distant to me. When my cousin told me that he had passed away,

Whose Language Is This?
छोरी चली परदेस, मायका सुना हो गया, आंगन की कोयल भी चुप, गीत अधूरा हो गया। Chhori chali pardes, maayka suna ho gaya, angan ki

Threading Identities
Thread by thread, the intricate art of embroidery in Baloch society unfolds a profound language of identity, resistance, and belonging. Balochi embroidery is an ancient
about this space.
Writing Women is a seed bank. Every story of radical feminism from our past and present is a seed that powers our imagination for the future. We seek to fill these pages with seeds of writings, oral tales, songs, poems and art that reveal resistance, sisterhood and decolonizing solidarity across borders of landscape and language from Palestine to Turtle Island, the Congo to Kashmir.

“There She Goes,” Reviewing The Feminist Killjoy Handbook by Sara Ahmed
A handbook is an assortment of guidelines or instructions on a specific topic. But a handbook on killing joy? Who exactly is a killjoy, and why do we need a

The Many Lives of Syeda X: Whose Story Is It Anyway?
The aromas of different spices and herbs engulfed all my senses the moment we stepped foot in the area. We were at the Khari Baoli market as a part of

Transnational Truth-Telling as Sanity
Two books, this week, have kept me sane. One is Michelle Good’s collection of seven essays about Indigenous life in Canada aptly titled ‘Truth Telling,’ and the other is Isabella